Speculative design is being promoted as a critical approach to design. Speculative design does not attempt to predict the future. Instead, it attempts to create debate and discussion about preferable futures (Dunne & Raby 2013). Design educators and practitioners from the Global South have become increasingly critical of speculative design practices (Martins 2014). This paper provides an account of a speculative design project set for final-year students pursuing a degree in Digital Media Design at the University of Johannesburg, South Africa. The paper describes the project brief, the purpose of the assignment and the intended outcomes. Three student designs are presented and explored using a textual analysis methodology.

The COVID-19 pandemic has exposed the deep cracks of inequality within the South African educational system (Gustafsson & Deliwe, 2020). The fourth industrial revolution (4IR) has presented a range of new technology applications (Lacy, Long, & Spindler, 2020). These technologies can be leveraged to provide more equal access to the technology needed for remote learning (Du Preez & Sinha, 2020). This paper uses a systemic design approach to reflect on the challenges faced in design education during the COVID-19 pandemic. Student feedback on the online learning experience during the COVID-19 lockdown was reflected on. Observations were organised in themes and then explored using the first step of Namahn and shiftN’s Systemic Design Toolkit (Van Ael & Vandenbroeck, 2016).

Decolonising digital media design education requires an investigation of possible techniques that can be taught to designers as a way of approaching interactive design with an emancipatory agenda. Traditionally, interactive-media studies have been taught from a positivist or psychological stance focusing predominantly on theories of human activity and cognition. In this paper I argue that the humanities offer an additional social and ethnographic lens with which to focus on the socio-historic, political and economic context of interactive media artefacts.